

Rihanna

Anne Hathaway

Keira Knightley

Eva Green

Amber Heard

Tilda Swinton

Lauren Hutton & Christy Turlington

Demi Moore

UPDATE: Wow, ask the universe and it delivers. I now am in possession of seven (SEVEN) copies of Prof. Morgan’s report. So looks like I’ll have some light reading to do this week. Thank you, thank you, kittens. You are, continually, the best.
There is no one, not on this planet or this galaxy, who so thoroughly embodies what I enjoy about Gender Fuck Thursday than Tilda Swinton. She exists in a universe that totally disregards the boxes we put ourselves into. She is the woman who fell to Earth, and I fucking love it. Part fiery goddess, part folk legend, part space alien, all delicious. We get sold cookie cutter perfection everyday and told to call it beauty. But Tilda defies any mold known to man. Delicate, yet fierce. Beautiful, yet strange. Talented, period. No, wait, exclamation point. There are not enough exclamation points.
Perhaps one of the most of many delightful things about Tilda is that she has crafted her public persona this way on purpose, yet not in a calculated way. In an interview and intergalactic photoshoot with W magazine, she said her red carpet style is a collaboration with her close friend Jerry Stafford, the creative director of a French production company and “It’s a game, and we have great fun with it.”
And her definition of androgyny is even more refreshing.
“People talk about androgyny in all sorts of dull ways,” says Swinton, noting that the recent rerelease of Orlando had her thinking again about its pliancy. “Cahun looked at the limitlessness of an androgynous gesture, which I’ve always been interested in.”
Her style inspirations include her male androgyny doppelganger, David Bowie, and her father, Maj. Gen. Sir John Swinton.
“From childhood, I remember more about his black patent, gold livery, scarlet-striped legs, and medal ribbons than I do of my mother’s evening dresses,” she says. “I would rather be handsome, as he is, for an hour than pretty for a week.”
Mission accomplished, Swinton. Mission a-fucking-complished.
But, like I said, sometimes we forget that amid the razzle dazzle and the gaudy glitz that accompanies acting. So it’s nice when someone like the New York Times magazine reminds us once again that acting is indeed an art – and a thing of beauty. Like they did with female tennis players, the Times has crafted an amazing multimedia package featuring 14 actors acting. The magazine asked the year’s best actors to “show us — in a few gestures and with a few props but without dialogue or story — what acting is. And here they are, striking some of the classic attitudes of cinema, turning their bodies and faces into instruments of pure, deep and enigmatic emotion.” In less than 90 seconds, all of them manage to transport us somewhere and make us wish no one ever yelled, “Cut!”
A look at a few of my favorites. See all of them here:
Noomi Rapace, Millennium Trilogy films
Jennifer Lawrence, “Winter’s Bone”
ChloĆ« Moretz, “Kick-Ass,” “Let Me In”
Tilda Swinton, “I Am Love”
I can’t stop watching Tilda’s. I don’t think she is human, and I mean that in the best possible way.